Faces in the Crowd

Description

A young mother in Mexico City, captive to a past that both overwhelms and liberates her, and a house she cannot abandon nor fully occupy, writes a novel of her days as a translator living in New York.

A young translator, adrift in Harlem, is desperate to translate and publish the works of Gilberto Owen, an obscure Mexican poet who lived in Harlem during the 1920s, and whose ghostly presence haunts her in the city’s subways. And Gilberto Owen, dying in Philadelphia in the 1950s, convinced he is slowly disappearing, recalls his heyday decades before, his friendships with Nella Larsen, Louis Zukofsky, and Federico Garcia Lorca, and the young woman in a red coat he saw in the windows of passing trains. As the voices of the narrators overlap and merge, they drift into one single stream, an elegiac evocation of love and loss.
Binding Type: Paperback
Contributors: Valeria Luiselli,Christina Macsweeney (Translator)
Published: 05/13/2014
Publisher: Coffee House Press
ISBN: 9781566893541
Pages: 154
Weight: 0.40lbs
Size: 0.50″ H x 8.40″ L x 5.30″ W

Award: 2014 L.A. Times Book Prize Winner – First Fiction
Award: 2015 Best Translated Book Award Finalist – Fiction

About the Author
Valeria Luiselli was born in Mexico City in 1983 and grew up in South Africa. Her novel and essays have been translated into many languages and her work has appeared in publications including the New York Times, Granta, and McSweeney’s. Some of her recent projects include a ballet libretto for the choreographer Christopher Wheeldon, performed by the New York City Ballet in Lincoln Center in 2010; a pedestrian sound installation for the Serpentine Gallery in London; and a novella in installments for workers in a juice factory in Mexico. She lives in New York City.

Christina MacSweeney was awarded the 2016 Valle Inclán Translation Prize for her translations of Valeria Luiselli’sThe Story of My Teeth, and her translations of Daniel Saldaña París’s novel Among Strange Victims was a finalist in the 2017 Best Translated Book Award. In 2017 she published a translation of Elvira Navarro’s A Working Woman, followed in 2018 by Empty Set (Verónica Gerber Bicecci), and Tomb Song and The House of the Pain of Others (Julián Herbert), all of which have received critical acclaim. Her work has also been included in various anthologies of Latina American Literature. Christina also collaborated with Verónica Gerber Bicecci on the bilingual book Palabras migrantes / Migrant Words. Her translations of Bring Me the Head of Quentin Tarantino (Julián Herbert) On Lighthouses, a book-length essay by Jazmina Barrera, and Elvira Navarro’s short story collection Rabbit Island are forthcoming in 2020.